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DTSTART;TZID=America/Indiana/Indianapolis:20211112T193000
DTEND;TZID=America/Indiana/Indianapolis:20211112T233000
DTSTAMP:20260403T185416
CREATED:20210518T160906Z
LAST-MODIFIED:20211011T193706Z
UID:8461-1636745400-1636759800@houselightventures.com
SUMMARY:Hamilton Leithauser & Kevin Morby
DESCRIPTION:
URL:https://houselightventures.com/event/hamilton-leithauser-kevin-morby/
LOCATION:IN
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211110T200000
DTEND;TZID=America/Indiana/Indianapolis:20211110T233000
DTSTAMP:20260403T185416
CREATED:20210706T140003Z
LAST-MODIFIED:20211109T191506Z
UID:9005-1636574400-1636587000@houselightventures.com
SUMMARY:Real Estate
DESCRIPTION:Real Estate’s Indianapolis show at The Vogue has been cancelled.   Refunds are available at point of purchase.  Online buyers will be refunded in 1-3 business days. Please direct any questions to boxoffice@mokbpresents.com. You can follow our ongoing list of affected shows here: http://bit.ly/mokb-hifi-covid19updates \n————————— \nReal Estate – The Main Tour w/ Palm at The Vogue \n\nDOORS: 8:00 PM\, SHOW: 9:00 PM \nAGE RESTRICTIONS: 21+ \nGENERAL ADMISSION\, LIMITED SEATING \nImportant Notice: All tickets are nonrefundable and nontransferable. Support acts are subject to change. \n—————————- \nAbout Real Estate: \nListen | Watch Video \nThe band Real Estate have spent the last decade crafting warm yet meticulous pop-minded music\, specializing in soaring melodies that are sentimentally evocative and unmistakably their own. They released their fourth and most recent album In Mind in early 2017\, which was met with glowing reviews from media and fans alike\, many of whom fell in love with the brilliantly melodic songwriting and rich lyricism of the band’s previous breakthrough record\, Atlas (2014). Real Estate have played festival stages worldwide\, including Coachella and Glastonbury\, and the In Mind tour saw them play the largest rooms of their career\, to fans eager to experience album highlights like singles “Darling” and “Stained Glass”. Real Estate have been hinting at a new release\, with fans at recent 2019 shows being surprised with live versions of previously-unheard songs. It seems likely that 2020 will bring the fifth record from the beloved group\, who excel at “deriving meaning from shimmering beauty” [NEW YORK TIMES]. \n\n\n\nAbout Palm: \nListen | Watch Video \nPalm plays rock music backwards. Eve Alpert and Kasra Kurt’s guitars occupy themselves most often with the pace-keeping work typical of a rhythm section. Meanwhile\, Gerasimos Livitsanos’ bass and Hugo Stanley’s drums perform commentary and reportage from their deeply embedded positions at the front. The band is firmly attached to the physicality of rock\, but not as much its tone; their instruments tend to sound like any number of things at any given time. \nNone of the members of Palm are formally trained on their instruments. The band formed in 2011 at college in Upstate New York\, when high school friends Eve and Kasra met Gerasimos and Hugo. In those early days\, the band was just beginning to forge its collective musical identity through experiments in recording and performing live. \nTheir first album\, Trading Basics (2015)\, was written in Hudson\, NY\, a riverside outpost where the group could clarify its intentions outside the direct influence of nearby cultural capitals. That year\, the members of Palm relocated to Philadelphia\, where they continue to live only a few blocks apart from one another. This proximity has facilitated a level of collaboration necessary for a sound so slippery to remain in the firm grasp of its players. \nOn 2017’s Shadow Expert EP\, they made use of the steady hand granted by a tireless touring schedule\, cutting their songs to efficiencies of pop confection without sacrificing the avant-adventurism at the center. The effort was met with praise from such outlets as Pitchfork\, Stereogum\, Spin\, and Tiny Mix Tapes\, who likened the sound variously to Stereolab\, Slint\, Sonic Youth and Broadcast. With Rock Island (2018)\, Palm excuses the company of these myriad influences with a sly brush of a hand\, ushering the listener into a new domain\, thrillingly strange for all its familiarity.
URL:https://houselightventures.com/event/real-estate-the-main-tour/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211109T200000
DTEND;TZID=America/Indiana/Indianapolis:20211109T230000
DTSTAMP:20260403T185416
CREATED:20210609T142505Z
LAST-MODIFIED:20210923T172042Z
UID:8599-1636488000-1636498800@houselightventures.com
SUMMARY:Domo Wilson
DESCRIPTION:
URL:https://houselightventures.com/event/domo-wilson/
LOCATION:IN
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211106T210000
DTEND;TZID=America/Indiana/Indianapolis:20211106T233000
DTSTAMP:20260403T185416
CREATED:20210118T234955Z
LAST-MODIFIED:20210923T170420Z
UID:7374-1636232400-1636241400@houselightventures.com
SUMMARY:Pokey Lafarge
DESCRIPTION:  \n 
URL:https://houselightventures.com/event/pokey-lafarge/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HI-FI 1043 Virginia Ave Indianapolis IN 46203 United States;X-APPLE-RADIUS=500;X-TITLE=1043 Virginia Ave:geo:-86.1407527,39.7525463
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211105T200000
DTEND;TZID=America/Indiana/Indianapolis:20211105T223000
DTSTAMP:20260403T185416
CREATED:20210518T165651Z
LAST-MODIFIED:20211104T162000Z
UID:8463-1636142400-1636151400@houselightventures.com
SUMMARY:The Brook & The Bluff
DESCRIPTION:
URL:https://houselightventures.com/event/the-brook-the-bluff-2/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HI-FI 1043 Virginia Ave Indianapolis IN 46203 United States;X-APPLE-RADIUS=500;X-TITLE=1043 Virginia Ave:geo:-86.1407527,39.7525463
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211105T200000
DTEND;TZID=America/Indiana/Indianapolis:20211105T200000
DTSTAMP:20260403T185416
CREATED:20210817T150028Z
LAST-MODIFIED:20210817T133205Z
UID:8960-1636142400-1636142400@houselightventures.com
SUMMARY:FREE First Friday: Haiva Vu
DESCRIPTION:
URL:https://houselightventures.com/event/free-first-friday-haiva-vu/
LOCATION:IN
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211029T190000
DTEND;TZID=America/Indiana/Indianapolis:20211029T233000
DTSTAMP:20260403T185416
CREATED:20210517T134501Z
LAST-MODIFIED:20211028T193209Z
UID:8451-1635534000-1635550200@houselightventures.com
SUMMARY:81355 @ HI-FI
DESCRIPTION:
URL:https://houselightventures.com/event/81355/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HI-FI 1043 Virginia Ave Indianapolis IN 46203 United States;X-APPLE-RADIUS=500;X-TITLE=1043 Virginia Ave:geo:-86.1407527,39.7525463
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211028T183000
DTEND;TZID=America/Indiana/Indianapolis:20211028T220000
DTSTAMP:20260403T185416
CREATED:20210510T143224Z
LAST-MODIFIED:20211028T142105Z
UID:8415-1635445800-1635458400@houselightventures.com
SUMMARY:Adam Melchor @ Hoosier Dome (venue change)
DESCRIPTION:
URL:https://houselightventures.com/event/adam-melchor/
LOCATION:IN
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211027T210000
DTEND;TZID=America/Indiana/Indianapolis:20211027T233000
DTSTAMP:20260403T185416
CREATED:20200101T221900Z
LAST-MODIFIED:20210923T165748Z
UID:8121-1635368400-1635377400@houselightventures.com
SUMMARY:Katie Pruitt - Expectations Tour
DESCRIPTION:Katie Pruitt’s Indianapolis date at HI-FI has been postponed.  All tickets purchased for the original date will be honored on the rescheduled date. Please direct any questions to boxoffice@mokbpresents.com.  You can follow our ongoing list of affected shows here: http://bit.ly/mokb-hifi-covid19updates \n—————————- \nDOORS: 8:00 PM\, SHOW: 9:00 PM \nAGE RESTRICTIONS: 21+ \nGENERAL ADMISSION\, LIMITED SEATING \nImportant Notice: All tickets are nonrefundable and nontransferable. Support acts are subject to change. \n—————————- \nAbout Katie Pruitt: \nListen | Watch Video \nKatie Pruitt is a Nashville transplant from the suburbs of Atlanta\, Georgia. Pruitt tackles human topics such as religion\, mental health\, and contemporary love songs with a modern twist. Her passionate delivery and powerful message are the reason her name has graced the bills of festivals such as Americana\, 420 Fest\, Pilgrimage\, and sold out shows across the US and internationally. \nAfter the 2018 release of her live Ourvinyl EP\, Pruitt was named NPR’s Slingshot Artist for 2019 and was also featured on All Song’s Considered for her song “Grace Has A Gun.” Not long after that she was chosen as the Luck Reunion Artist on the Rise for SXSW 2019. Pruitt has no plans of slowing down and when she isn’t on the road you can find her in the studio writing and recording her debut record. \nAbout William Prince: \nListen | Watch Video \nFor his eagerly-awaited sophomore album\, songwriter William Prince begins with single word\, Reliever\, which informs a collection of exceptionally rendered explorations of what\, who and how peace is found. Relievers come in all forms; for Prince\, it is song. With its emphasis on words and confidently unfussed accompaniment\, Reliever puts Prince’s gift for sparking powerful emotions of both personal and communal relevance at the fore. A masterclass in skillful simplicity\, Reliever works a generous and profound kind of magic.\nPrince’s influences and references\, from the gospel of his childhood to the pantheon of classic outlaw country singers\, baseball and the great beyond\, shape Reliever into a collection that approaches the big questions with humility and curiosity. At the edge of the ocean\, between father and son\, from stranger to lover\, the album flows through the places and moments where real connections and healing happen. \nTo make Reliever\, Prince reconvened with producers Dave Cobb in Nashville and Scott Nolan in Winnipeg\, the team behind his JUNO Award winning debut and subsequent Glassnote Records reissue\, Earthly Days. With the song “Breathless\,” which found audiences worldwide and reached the B List at BBC’s Radio 2\, Earthly Days introduced Prince’s poignant philosophy and rich baritone to the world. Prince’s trajectory from Peguis First Nation in Manitoba\, Canada\, to opening for Neil Young\, has seen the relative newcomer find esteem and career-changing opportunity wherever he performs.
URL:https://houselightventures.com/event/katie-pruitt/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211027T190000
DTEND;TZID=America/Indiana/Indianapolis:20211027T220000
DTSTAMP:20260403T185416
CREATED:20210601T135812Z
LAST-MODIFIED:20210923T174825Z
UID:8515-1635361200-1635372000@houselightventures.com
SUMMARY:RESCHEDULED: Charley Crockett
DESCRIPTION:
URL:https://houselightventures.com/event/charley-crockett/
LOCATION:Auto Draft
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211026T200000
DTEND;TZID=America/Indiana/Indianapolis:20211026T233000
DTSTAMP:20260403T185416
CREATED:20211007T141321Z
LAST-MODIFIED:20211007T141325Z
UID:9058-1635278400-1635291000@houselightventures.com
SUMMARY:Caamp
DESCRIPTION:
URL:https://houselightventures.com/event/caamp/
LOCATION:IN
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211023T210000
DTEND;TZID=America/Indiana/Indianapolis:20211023T233000
DTSTAMP:20260403T185416
CREATED:20210503T150247Z
LAST-MODIFIED:20210923T165320Z
UID:8381-1635022800-1635031800@houselightventures.com
SUMMARY:Pecos & The Rooftops
DESCRIPTION:
URL:https://houselightventures.com/event/pecos-the-rooftops/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211023T180000
DTEND;TZID=America/Indiana/Indianapolis:20211023T220000
DTSTAMP:20260403T185416
CREATED:20210427T154900Z
LAST-MODIFIED:20210923T013007Z
UID:8346-1635012000-1635026400@houselightventures.com
SUMMARY:Chamberlain
DESCRIPTION:
URL:https://houselightventures.com/event/chamberlain/
LOCATION:Auto Draft
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211021T200000
DTEND;TZID=America/Indiana/Indianapolis:20211021T210000
DTSTAMP:20260403T185416
CREATED:20210622T140057Z
LAST-MODIFIED:20210923T021549Z
UID:8677-1634846400-1634850000@houselightventures.com
SUMMARY:Seratones
DESCRIPTION:
URL:https://houselightventures.com/event/seratones/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HI-FI 1043 Virginia Ave Indianapolis IN 46203 United States;X-APPLE-RADIUS=500;X-TITLE=1043 Virginia Ave:geo:-86.1407527,39.7525463
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211020T210000
DTEND;TZID=America/Indiana/Indianapolis:20211020T233000
DTSTAMP:20260403T185416
CREATED:20210611T141849Z
LAST-MODIFIED:20210923T165122Z
UID:8612-1634763600-1634772600@houselightventures.com
SUMMARY:Big Something
DESCRIPTION:
URL:https://houselightventures.com/event/big-something/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HI-FI 1043 Virginia Ave Indianapolis IN 46203 United States;X-APPLE-RADIUS=500;X-TITLE=1043 Virginia Ave:geo:-86.1407527,39.7525463
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211018T200000
DTEND;TZID=America/Indiana/Indianapolis:20211018T230000
DTSTAMP:20260403T185416
CREATED:20210616T143232Z
LAST-MODIFIED:20210923T165017Z
UID:8645-1634587200-1634598000@houselightventures.com
SUMMARY:Clark Beckham
DESCRIPTION:
URL:https://houselightventures.com/event/clark-beckham-2/
LOCATION:IN
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211017T190000
DTEND;TZID=America/Indiana/Indianapolis:20211017T233000
DTSTAMP:20260403T185416
CREATED:20210330T155224Z
LAST-MODIFIED:20211016T230106Z
UID:8113-1634497200-1634513400@houselightventures.com
SUMMARY:Satsang
DESCRIPTION:
URL:https://houselightventures.com/event/satsang/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HI-FI 1043 Virginia Ave Indianapolis IN 46203 United States;X-APPLE-RADIUS=500;X-TITLE=1043 Virginia Ave:geo:-86.1407527,39.7525463
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211016T210000
DTEND;TZID=America/Indiana/Indianapolis:20211016T233000
DTSTAMP:20260403T185416
CREATED:20210809T211442Z
LAST-MODIFIED:20211006T125016Z
UID:8933-1634418000-1634427000@houselightventures.com
SUMMARY:The Mountain Goats
DESCRIPTION:
URL:https://houselightventures.com/event/the-mountain-goats/
LOCATION:IN
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211016T190000
DTEND;TZID=America/Indiana/Indianapolis:20211016T230000
DTSTAMP:20260403T185416
CREATED:20210518T154620Z
LAST-MODIFIED:20210923T164903Z
UID:8460-1634410800-1634425200@houselightventures.com
SUMMARY:Carbon Leaf
DESCRIPTION:
URL:https://houselightventures.com/event/carbon-leaf-2/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HI-FI 1043 Virginia Ave Indianapolis IN 46203 United States;X-APPLE-RADIUS=500;X-TITLE=1043 Virginia Ave:geo:-86.1407527,39.7525463
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211016T180000
DTEND;TZID=America/Indiana/Indianapolis:20211016T220000
DTSTAMP:20260403T185416
CREATED:20210506T140051Z
LAST-MODIFIED:20211013T212919Z
UID:8390-1634407200-1634421600@houselightventures.com
SUMMARY:An Evening With Hyryder
DESCRIPTION:
URL:https://houselightventures.com/event/hyryder/
LOCATION:Auto Draft
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211015T210000
DTEND;TZID=America/Indiana/Indianapolis:20211015T233000
DTSTAMP:20260403T185416
CREATED:20200116T150027Z
LAST-MODIFIED:20211008T174528Z
UID:7337-1634331600-1634340600@houselightventures.com
SUMMARY:Josh Kelley
DESCRIPTION:Josh Kelley’s Indianapolis date at LO-FI Lounge has been rescheduled for April 9\, 2021.  All tickets purchased for the original date will be honored on the rescheduled date. Please direct any questions to boxoffice@mokbpresents.com.  You can follow our ongoing list of affected shows here: http://bit.ly/mokb-hifi-covid19updates \n————————— \nDOORS: 6:00 PM\, SHOW: 7:00 PM \nAGE RESTRICTIONS: 21+ \nGENERAL ADMISSION\, LIMITED SEATING \nImportant Notice: \n– Due to events happening in HI-FI and LO-FI Lounge during the same time\, LO-FI door\, show and set times are subject to change. We try to avoid this but want to make sure artists in both rooms experience minimal sound conflicts. If a change occurs\, we will message all attendees immediately. \n– All tickets are nonrefundable and nontransferable with the exception of event cancellation or time change by venue. \n– Support acts are subject to change. \n-Important Notice: All tickets are nonrefundable and nontransferable. Support acts are subject to change. \n—————————- \nAbout Josh Kelley: \nListen | Watch Video \nJosh Kelley launched his artist career in 2001 out of his college dorm room that propelled him into the industry with his hit song “Amazing”. It was the most played song of the year on pop radio and topped the charts at number 5. Since then Josh has toured with some of music’s biggest names including Taylor Swift\, Dave Matthews Band\, and Lady Antebellum. Josh has been in his studio for the past two years developing new music and his new record set to release in June of 2020. All of the songs to be released on the project were written by Josh and he also 2020 plans also include a US Spring tour to be followed by a 3 week European tour in the fall. The next chapter of Josh Kelley will be a further testament of the artist and songwriter he truly is. \nAbout Harper Grae:  \nListen | Watch Video \nA vocalist and songwriter with strong beliefs and little fear of adversity\, Harper Grae is an artist who has channeled the memories of a difficult childhood into songs that have made her a celebrated talent in country music.
URL:https://houselightventures.com/event/josh-kelley/
LOCATION:IN
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211015T200000
DTEND;TZID=America/Indiana/Indianapolis:20211015T230000
DTSTAMP:20260403T185416
CREATED:20210622T140058Z
LAST-MODIFIED:20210923T164638Z
UID:8683-1634328000-1634338800@houselightventures.com
SUMMARY:Noga Erez
DESCRIPTION:
URL:https://houselightventures.com/event/noga-erez/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211014T200000
DTEND;TZID=America/Indiana/Indianapolis:20211014T233000
DTSTAMP:20260403T185416
CREATED:20210607T160747Z
LAST-MODIFIED:20210923T164622Z
UID:8564-1634241600-1634254200@houselightventures.com
SUMMARY:Lewis Del Mar
DESCRIPTION:
URL:https://houselightventures.com/event/lewis-del-mar/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HI-FI 1043 Virginia Ave Indianapolis IN 46203 United States;X-APPLE-RADIUS=500;X-TITLE=1043 Virginia Ave:geo:-86.1407527,39.7525463
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211010T200000
DTEND;TZID=America/Indiana/Indianapolis:20211010T233000
DTSTAMP:20260403T185416
CREATED:20210614T141154Z
LAST-MODIFIED:20210923T163648Z
UID:8613-1633896000-1633908600@houselightventures.com
SUMMARY:Robert Finley
DESCRIPTION:
URL:https://houselightventures.com/event/robert-finley/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=HI-FI 1043 Virginia Ave Indianapolis IN 46203 United States;X-APPLE-RADIUS=500;X-TITLE=1043 Virginia Ave:geo:-86.1407527,39.7525463
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211008T210000
DTEND;TZID=America/Indiana/Indianapolis:20211008T233000
DTSTAMP:20260403T185416
CREATED:20210617T153033Z
LAST-MODIFIED:20210923T163623Z
UID:8653-1633726800-1633735800@houselightventures.com
SUMMARY:Jazz is PHSH
DESCRIPTION:
URL:https://houselightventures.com/event/jazz-is-phsh/
LOCATION:HI-FI\, 1043 Virginia Ave\, Indianapolis\, IN\, 46203\, United States
GEO:39.7525463;-86.1407527
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211008T190000
DTEND;TZID=America/Indiana/Indianapolis:20211008T220000
DTSTAMP:20260403T185416
CREATED:20210520T135800Z
LAST-MODIFIED:20211006T201805Z
UID:8480-1633719600-1633730400@houselightventures.com
SUMMARY:Town Mountain
DESCRIPTION:
URL:https://houselightventures.com/event/town-mountain/
LOCATION:Auto Draft
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20211006T200000
DTEND;TZID=America/Indiana/Indianapolis:20211006T233000
DTSTAMP:20260403T185416
CREATED:20191231T172053Z
LAST-MODIFIED:20211006T125010Z
UID:8462-1633550400-1633563000@houselightventures.com
SUMMARY:Drive-By Truckers
DESCRIPTION:Drive-By Truckers w/ Ryley Walker at The Vogue\n\n\n\n\n\nDrive-By Truckers’ Indianapolis show at The Vogue has been postponed. We are currently working on a reschedule date.  Hang tight for more information. Please direct any questions to boxoffice@mokbpresents.com. You can follow our ongoing list of affected shows here: http://bit.ly/mokb-hifi-covid19updates \n—————————- \nDOORS: 7:00 PM\, SHOW: 8:00 PM \nAGE RESTRICTIONS: 21+ \nGENERAL ADMISSION\, LIMITED SEATING \nImportant Notice: All tickets are nonrefundable and nontransferable. Support acts are subject to change. \n—————————- \nAbout Drive-By Truckers: \nListen | Watch Video \nDrive-By Truckers is kicking off the new election year with The Unraveling\, our first new album in 3 1/2 years (the longest space between new DBT albums ever). Those years were among the most tumultuous our country has ever seen and the duality between the generally positive state of affairs within our band while watching so many things we care about being decimated and destroyed all around us informed the writing of this album to the core. \nWhile a quick glance might imply that we’re picking up where 2016’s American Band album left off\, the differences are as telling as the similarities. If the last one was a warning shot hinting at a coming storm\, this one was written in the wreckage and aftermath. I’ve always said that all of our records are political but I’ve also said that ‘politics IS personal’. With that in mind\, this album is especially personal. \nOur 2018 single “The Perilous Night” acted as a sort of coda to the polemic of the last album and the original plan was to zigzag in a different direction\, but alas the past few years have seen an uptick in school shootings\, church shootings\, racial violence\, suicides and overdoses\, border violence\, and an assault on so many things that we all hold dear. They’re literally putting children in cages. Writing silly love songs just seemed the height of privilege. \nMy partner Mike Cooley and I both worked through deep pools of writer’s block. How do you put these day to day things we’re all living through into the form of a song that we (much less anybody else) would ever want to listen to? How do you write about the daily absurdities when you can’t even wrap your head around them in the first place? I think our response was to focus at the core emotional level. More heart and less cerebral perhaps. \nEventually the songs did come\, some in mysterious ways. A day-long layover at an exit outside of Gillette\, Wyoming resulted in “21st Century USA”\, the song that for me opened up the floodgates\, enabling me to write my portion of the album. \nRecording in Memphis has been a life-long dream for this band. Both the city\, with its dark social history and amazing musical heritage\, and the studio which is a time machine set to its early 1960’s origins and inhabited by the spirit of its genus founder\, affected and inspired the creation of this album in ways that go far beyond the tangible and technical. \nSam Phillips left my hometown of Florence\, Alabama and moved to Memphis\, working in radio before opening the legendary Sun Studios (Memphis Recording Service) where he essentially discovered Rock and Roll\, recording the first records of Howlin’ Wolf\, Ike Turner\, Johnny Cash\, Carl Perkins\, Jerry Lee Lewis\, Charlie Rich\, and of course Elvis Presley. When he sold Sun\, he built his dream lair\, the\, then state of the art Sam Phillips Recording Service which opened in 1962. If Phillips’ love of ‘slap-back’ echo had given those early Sun records their legendary sound\, his new studio incorporated three different echo chambers into its design\, giving the studio a very unique and wonderful sound that we incorporated into this album. \nI can’t impart enough the impact that recording there had on this album. We were all beyond inspired by the surroundings and the sounds coming out of the speakers from every playback or the sound of the echo chambers reverberating down the halls. Every day we got to hang out with Sam’s son Jerry who took us up to Mr. Phillips’ old office on the third floor. Unlocked in time\, it was still exactly as it had been the last day Sam spent there. His jackets still hanging in the closet and the bar still stocked with his favorite whiskey. There\, with Jerry\, we toasted our recordings and the spirits that still inhabited that sacred space. \nA few months later we reconvened in Athens\, Georgia at Barbe’s Chase Park Transduction studios where Matt and David mixed the album on Barbe’s vintage 1975 Neve console. As a band that got its start essentially making albums as field recordings on mobile gear\, it is indeed a treat to get to make our albums on 2” 16 tracks tape in historic studios and on beautiful vintage gear. We finished the process by having the legendary Greg Calbi master it all at Sterling Sound in Edgewater\, New Jersey. \nIn the end\, we whittled the album down to the nine songs included\, saving several key songs for a foundation to the next one that will hopefully occur sooner than later. Lilla Hood designed the packaging utilizing a stunning photo by Erik Golts of two young lads watching a sunset at the Oregon coast\, lettering by famed graphic artist Aaron Draplin\, and once again beautiful artwork from our long time collaborator Wes Freed. We plan on touring extensively throughout the next year taking these songs around the world. \nWe hope to see you there. \n– Patterson Hood \n\nAbout Ryley Walker: \nListen | Watch Video \nIt’s a good record. But I can’t really listen to it anymore. It kind of broke my brain. It took a year\, and there were a lot of times I thought it was going nowhere\, a lot of botched sessions. It was all my fault\, no one else’s. I was just totally unprepared. I went in with over-confidence\, I went in there like ‘Yeah\, I’m ready to go!’ but I was just kind of bullshitting. I went in expecting to make a fucking masterpiece\, but I kept hitting a brick wall. \nI was under a lot of stress because I was trying to make an anti-folk record and I was having trouble doing it. I wanted to make something deep-fried and more me-sounding. I didn’t want to be jammy acoustic guy anymore. I just wanted to make something weird and far-out that came from the heart finally. I was always trying to make something like this I guess\, trying to catch up with my imagination. And I think I succeeded in that way — it’s got some weird instrumentation on there\, and some surreal far-out words. \nAnd it’s more Chicago-y sounding. Chicago sounds like a train constantly coming towards you but never arriving. That’s the sound I hear\, all the time\, ringing in my ears. Everybody here’s always hustling. Everybody who talks to you on the street’s always got something they’re coming at you with. It’s the sound of strangers dodging one another. And landlords knocking on doors to get rent that people don’t have. But it’s eerily quiet at night. This record is the sound of walking home late at night through Chicago in the middle of winter and being half-creeped out\, scared someone’s going to punch you in the back of the head\, and half in the most tranquil state you’ve been in all day\, enjoying the quiet and this faint wind\, and buses going by on all-night routes. That’s the sound to tune in to. That’s the sound of Chicago to me. \nChicago. More than ever I’m just finding little details about it that I love. There’s so many weird twists about it: the way that street lights look here is really peculiar\, and a really bleak sense when you walk around. It looks gray\, there’s not a lot of color\, and I find a lot of radiance in that. And oh man it smells like diesel. And garbage cans. And in the summer when it really heats up it’s extra garbage-canny. And everything here looks like it’s about to break. It looks like it’s derelict. But that’s what I’m used to\, that’s what I like. The amount of imperfection in this city is really perfect. \nSo I’ve fallen in love with Chicago pretty hard over the past year\, despite crippling depression. I’ve realized I can’t not be in a city. I appreciate nature\, I appreciate driving through nature\, but you put me in a campsite for more than two days and I’ll flip the fuck out. I need to hear people outside of my window trying to buy crack. I need to be able to buy a taco at two in the morning. I need to hear the neighbors yelling really fucking loud at each other in the middle of the night. I need people. I need people really fucking bad. \nYou have to find calm in the city. You actively search for it. It’s not a la carte like it is in the middle of the Rocky Mountains. Which are beautiful\, they’re one of God’s finest creations — I’m not talking shit about the Rocky Mountains. But in the city it’s like scoring drugs\, you’ve got to score your tranquil situations. And that’s the sound of Chicago to me. \nThe songs don’t really deal with any political or personal or social issues at all. Mostly it just comes from being bummed out. And there’s not a lot of musical influences on the record. I wasn’t even listening to music when I made it. Last year was probably the least I’ve listened to music in my adult life. I mean I was listening to stuff in the van — I listened to a lot of Genesis records. I got really into Genesis. But there’s nothing else I could point to. Maybe I’d say it’s a record for coming up or coming down. It’s not an album for the middle of the day. It’s for the beginning or end of it. \nI quit drugs and booze recently. I got sick of being a party animal — I don’t want to be 19-gin-and-tonics-Ryley anymore. My brain is working a little better now\, but man I was just going at it pretty wildly\, and then trying to make a record while I was drinking\, it was kind of like torture. \nWe all had no idea what was going on\, every song we’d be like ‘What is this record?’ Because every song sounded different. In a way this record was working with everybody that I’ve worked with for years\, and it wasn’t like a Fleetwood Mac thing where everybody fell in love and divorced or anything\, but a lot of times we were butting heads in the studio. \nI hadn’t played any of the songs live ever\, whereas with my earlier records I’d play the shit out of them live and then go into the studio when they were totally cooked up and ready to go. But these songs were all half ideas and riffs I had on my mind\, so that held things up for a while. \nBeing meticulous and being deets-oriented is not my thing at all. I’ve never been like that. I’m kind of like go go go! Making a quick record is not hard\, it’s the easiest thing the world\, so working in this time frame\, over a year\, made me go kind of nuts and… oh\, tortured artist bullshit\, blah blah blah. But then last summer we started playing songs back to back and finally we started to hear a common thread running through the record. \nI’m lucky enough to have some people who are playing on it who had a big part in shaping the songs and writing with me. Cooper Crain\, the guy who engineered it\, and played all the synthesizers. And when the flute guy\, Nate Lepine came in\, that was really something that made it special. The producer was this guy LeRoy Bach. I love LeRoy\, he’s a really talented guy. He did the last record too. \nThe last record was cool but I was still figuring out what I was good at. But I’m fucking 28 years old\, I’ve got to figure out a sound\, figure out something that I enjoy doing. So this record is a little bit more grown-up. Ol’Ryley’s just workin’ on bein’ a better Ryley. \nI think more than anything the thing to take away from this record is that I appreciate what improv and jamming and that outlook on music has done for me\, but I wanted rigid structure for these songs. I don’t want to expand upon them live. There’s a looseness to some of the songs I guess\, but I didn’t want to rely on just hanging out on one note. It’s so straight-forward that I can see a lot of people really not liking it to be honest. But I’m so happy\, I’m happy that it’s completely different and unexpected. \nBut I know it’s divisive. It’s hard to talk about. It’s a weird record.
URL:https://houselightventures.com/event/drive-by-truckers/
LOCATION:IN
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SUMMARY:Summer Salt
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SUMMARY:Lucero
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LOCATION:Auto Draft
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SUMMARY:Stephen Day
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